Samantha Bee unloads on the #MeToo backlash and explains where Aziz Ansari fits in
"Yes, the inevitable backlash to the #MeToo movement has arrived — or as I like to call it, the #YouTooLoud movement," Samantha Bee said on Wednesday's Full Frontal. Her examples were heavy on the Fox News but broader than that, and she focused on the reaction to the "Sh--ty Media Men" list for a bit. "Here's the number of people who were putting rape and sexual harassment and bad dates into one bucket," she said. "Literally nobody is saying they're the same. What many fail to understand is that it doesn't have to be rape to ruin your life, and it doesn't have to ruin your life to be worth speaking out about. Any type of sexual harassment or coercion is unacceptable."
"What men literally cannot understand is this isn't about them," Bee said. "Unfortunately, though, not all the backlash is from willfully blind men; some of it is from women who have seen way too much, especially in the wake of an article about Aziz Ansari and the horrible night an anonymous woman said she had with him. The conversation about this article has been tentative and difficult, largely because a lot of women disagree about it," including Ashleigh Banfield. "It's not just Ashleigh," she added. "A lot of people are worried about Aziz's career — which no one is trying to end, because again, we know the difference between a rapist, a workplace harasser, and an Aziz Ansari. That doesn't mean we have to be happy about any of them."
The last part is pretty NSFW, with Bee explaining her views on a higher standard for sex and advising men to find other outlets if they can't be bothered to respect their partners — especially men who call themselves feminist and sport "Time's Up" insignia. "And if you don't want to do that," she said, "take off your f---ing pin, because we are not your accessories." Watch below. Peter Weber
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Peter has worked as a news and culture writer and editor at The Week since the site's launch in 2008. He covers politics, world affairs, religion and cultural currents. His journalism career began as a copy editor at a financial newswire and has included editorial positions at The New York Times Magazine, Facts on File, and Oregon State University.
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